Uncovering the Creative Universe of Novelist Paul Bailey

Esteemed author Paul Bailey, who passed away last year at 87, was renowned for possessing a comic brilliance, intense sympathy including for his deeply imperfect creations, and an intelligence that never felt cold. His literary works often explored the power of memory in shaping lives, fueled by sharp, rhythmic dialogue. In addition to storytelling, he also excelled as an autobiographer, verse writer, and other capacities—here is a guide to the volumes he authored.


Books for Companionship

Bailey was a gregarious individual, an excellent talker with a love for casual small talk, according to a fictional persona. He and friend author Beryl Bainbridge often enjoyed the TV show Coronation Street and discuss it over calls. This enjoyment of informal dialogues is evident in his fictional works the book Trespasses (from 1970) and the title Peter Smart’s Confessions (released in 1977). Each includes a central male figure besieged by comic, maddening, theatrical individuals, often close relatives whose influence is inescapable. “What’s so great about being normal?” queries Ralph’s mother within Trespasses when he reveals he is gay. Similar to spending time with your wittiest, boldest friend.


The Ones to Make You Laugh and Cry

Bailey wrote brilliantly about aging, at both ends of his writing journey. His initial fiction At the Jerusalem (published in 1967) details the life of Faith Gadny while she adapts to a care facility, in which other inhabitants offer warmth missing from caregivers, who show interest through questions “Why not view the TV, ladies?”. In the novel before his final Chapman’s Odyssey (2011), an aged patient alternates between clashing with physicians (“I only drink superior wines”, he states after reprimands over liver tests) and confronting past remembrances involving his mum, partners, classic characters such as Pip from Dickens or Emma from Austen. Each volume are filled with comic interactions however tinged with impending endings. Throughout his novels, grins are unreliable. In At the Jerusalem, “the matron beamed, then stopped suddenly”; Faith Gadny chuckles anxiously if her actions are questioned. In Chapman’s Odyssey, Harry warns that “my laughter is not genuine”. Readers’ smiles, however, are authentic.


For the Reality Behind the Stories

Besides novels, Bailey was a talented life writer, issuing two personal accounts. An Immaculate Mistake (from 1990) serves as a classic of recollection, its name coming from his mum’s statement labeling him an “accident” and questioning his presence. (“Elderly, she disclosed hidden truths,” he adds. “This one, she knew, would be of particular interest to me.”) This book reveals the roots for confused, affectionate, irritating parental figures within his fiction. It likewise portrays an evocative portrait of a boy discovering his sexuality in that era, when same-sex acts were criminal, and his family found it odd if a male child gifted blooms to his parent; and of a would-be thespian (The writer was on stage before writing) who memorized Hamlet at 15. His second memoir the book A Dog’s Life (from 2004) centers on existence alongside his mixed-breed dog Circe, his former partner David, his affection for Romania—that influenced subsequent books such as Kitty and Virgil, Uncle Rudolf, and The Prince’s Boy—and heaps of rumors, featuring an anecdote about Iris Murdoch dubbing a participant a “foolish person”.


When Time Is Limited

The author’s fiction are generally brief—the powerful Old Soldiers (from 1980) is just over 100 pages—yet for an even briefer option, try his poetry in his final phase. The pair of volumes Inheritance (from 2019) and Joie de Vivre (released in 2022) display his cleverness, sympathy, exactness in brief format. These poems are rich with endings and beginnings. Two love themes recur: about his parent (“I’m closer to you now – / I need to tell you – / than I ever was in life”) and for his civil partner Jeremy Trevathan. In Amazement, he describes the pleasure in enjoying “foolish television” side by side, finishing with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”


For a Single Must-Read

Most agree that the author’s most expansive book is Gabriel’s Lament, nominated for the Booker in 1986. (He was a Booker judge in 1982, an experience he despised.) This was the book the author was most proud of, despite the fact “it consumed all his energy”. It follows the tale of Gabriel Harvey, whose mother vanishes and a father who becomes a intolerable pretentious person following a financial windfall, and the events may link. It serves as a portrait of the city in that era, a story of mental breakdown, and both comic and tragic similar to his entire output. To continue, it led to a subsequent book, Sugar Cane (published in 1993), that he investigated by attending brothels to observe.

Nicholas Matthews
Nicholas Matthews

Lena Visser is a music journalist and producer with a passion for avant-garde and electronic music, exploring the intersection of art and technology.