Devouring This Year's Christmas Films: The Hits, The Misses, and The Guilty Pleasures.

It is the time of year to relax on the couch and consume a box of mince pies in front of a terrific flick, a awful feature, or one that’s so bad it’s good.

Once again, a batch of fresh Christmas films strives to join part of our festive viewing—maybe even earning a place alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (don’t start).

Thus, in a vital public service to distinguish the gems from the coal, and to find the festive feeling, I marathoned as many recent Christmas films as possible in a single day.

Early Morning: A Very Jonas Christmas Movie

Beginning, ideally, on a positive note. This film is the only 2025 title on a well-known aggregator's list of the best 100 festive features of all time.

The popular band find themselves stuck in the UK after finishing their world tour and must return for Christmas. Their efforts are hindered by an evil Santa, who bursts into melody to announce they won’t get home until they “rekindle their familial spark.”

The repartee between the squabbling siblings is entertaining even for the casual viewer, while fans will undoubtedly catch lots of references as they try to get back using any means of transport necessary.

It’s a journey of epic proportions.

It’s not legendary, but is superb for fans and a good start to the day.

Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.

Late Morning: Tinsel Town

Famous performer Kiefer Sutherland appears as a celebrity tricked into a pantomime.

“A what's a panto??” asks Sutherland’s “temperamental” and aging star Brad Mack, who has hit a rough patch and whose representative has deceived him into thinking he’s starring in high-class London stage.

His pantomime cast-mates inform him he’s playing Buttons. “No I'm not,” he retorts. It's easy to predict their response. Unless you’re ignorant of traditional stage call-and-response.

There are some very funny lines, some heartwarming sub-plots, and the ensemble is brilliant, too.

It’s the kind of movie that would be a bit cheesy at a different time, but is a highly enjoyable at Christmas.

Festive score: 🎄🎄🎄🎄

A New Spin on Scrooge

A familiar face pops up at the start of this film, too, delivering a signature line for the next movie straight. Could this be a budding festive ritual?

This time, he’s a musical taxi operator who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The familiar story develops as the tight-fisted Mr Sood is haunted by the ghosts of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.

This cultural adaptation is at least distinct from all the others, but unfortunately he’s not very compelling and Nayyar’s acting is lifeless—a major flaw when he’s so central to everything.

Festive score: 🎄🎄

12.04pm - Stuffed

There's just enough time for a channel's Christmas comedy-drama—which stars Guz Khan as a endearingly grumpy man who “avoids Christmas.”

But after he gets an large festive windfall at work, his wife (played by Morgana Robinson) persuades him spending the sum on a holiday to Lapland.

There’s just one problem—he discovers there was an error with his bonus, which should have been £800, and he has to determine how to reimburse the difference.

Pleasant yet unmemorable.

Festive score: 🎄🎄

Early Afternoon: Champagne Problems

This is one of those holiday movies where the festive trappings are in the background—Christmas is the setting of the film rather than its main point—but it feels comfortable and seasonal all the same.

Driven corporate star Sydney (played by Minka Kelly) is assigned to a French chateau to do a deal for a champagne business. During her travels, she meets a man in a bookshop who vows to show her a festive Paris.

A commentator recently declared this is the best new Christmas film of the past few years. That’s a bit of a overstatement, but it is a Christmas romance with a touch of class and gives the necessary heartwarming sensation.

The scene with a lengthy discussion about Die Hard is notable too.

Festive score: 🎄🎄🎄

3.29pm - Finding Father Christmas

Teenage Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the attempts of his dad (played by James Buckley) to tell him the truth.

The truth is somewhere, and Chris embarks on a quest to find it with the expert help of a group of well-known scientists and personalities.

It’s understated but charming, and ideal viewing while anticipating Santa to visit.

Christmas tree rating: 🎄🎄🎄

Late Afternoon: Oh. What. Fun.

Michelle Pfeiffer is the matriarch of a bickering American family who gather for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer starts by mentioning Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the unsung heroes of the holidays—moms.”

So that’s the concept, but in execution it’s really a jumble of those aforementioned movies, at least until Pfeiffer’s character finally comes into her own.

Festive score: 🎄🎄

6.43pm - A Scottish Christmas Secret

The day’s gone downhill, but thankfully here’s a new offering in the packed genre of cliched, saccharine, over-the-top—and strangely compelling—festive fodder.

It’s a narrative as familiar as can be: An American woman goes on a quest to a far-off wintery locale and ends up stumbling across romance.

In this case, Caprice Bourret plays a publisher

Nicholas Matthews
Nicholas Matthews

Lena Visser is a music journalist and producer with a passion for avant-garde and electronic music, exploring the intersection of art and technology.